#Universal audio 2192 drivers

This is more of an EQ for 'color' instead of Eq to 'clean.' It is better to bosser in 'positive' (+) with.Дefects: quality fader improved, no talkback circuit. The although limited in its possibilities of equalizer settings is great, musical and sweet. The mic / line preamp is good, not as 'punchy' in the world of course, but good. To use the console is very 'quiet' as the English say, well made, sturdy and very quiet (for the analog). There is even a mastering studio in Australia that uses main console.

This is an excellent summation to mix in analog, far superior in sound quality to Malcolm Toft example. The signal to noise ratio is excellent and dynamic range. The big plus of this console is its fully symmetrical design.

#Universal audio 2192 drivers

The big plus: Absolutely everything about the console is symmetric, Inputs, Outputs, Aux, Master.Д¬onfig and very simple installation of the FW, no drivers needed on Mac (class compliant) card.Д¬onsole easy to use, it is damn good visually, you see everything quickly, the knobs are spaced one navigates with ease. Master section: a section control room / full monitor (for two monitoring systems), a Solo / PFL system, the Aux Return catches Inserts section, two main outputs (XLR gold contact) on the Master out, VU meters etc. Per: Taking Mic / Line (per 48v, Phase Reverse, Low cut at 90 Hz, -30 dB pad), insert jacks, Direct Out, Eq fixed shelf for bass (80Hz) and treble (12 kHz), mid semi pramГ©triques (150 Hz to 7 kHz / Q fixed at 0.7), 2 Aux (pre / post for Aux 1). Interface with integrated digital conversion FW (developed by Lynx Audio TLA): 24 bit, 96 KHz, 12 outputs / inputs 14 (2 additional entries for the master output of the console).